18 June 2009

Please don't call the bluff

What was peculiar, and what was quite startling to me, is that it turned out that nobody ever did any scientific test on Van Meegeren, even the stuff that was available in his day, until after he confessed. And to this day, people hardly ever test pictures, even multi-million dollar ones. And I was so surprised by that that I kept asking, over and over again: why? Why would that be? Before you buy a house, you have someone go through it for termites and the rest. How could it be that when you’re going to lay out $10 million for a painting, you don’t test it beforehand? And the answer is that you don’t test it because, at the point of being about to buy it, you’re in love! You’ve found something... You want it to be real... The forger wants the collector to snap it up, and the collector wants it to be real. You are on the same side. You think that it would be a game of chess or something, you against him. “Has he got the paint right?” “Has he got the canvas?” You’re going to make this checkmark and that checkmark to see if the painting measures up. But instead, both sides are rooting for this thing to be real.
- Bamboozling Ourselves, New York Times blog

The next time we ask in despair of the financial mess, of love, or of life, "What were they thinking?", this is why: everyone wants the musical chairs to go on.

A fascinating story about Nazi-era forgery by the way. Read it »here.

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